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Best’s style of play – selfish, impudent, spontaneous – lent itself to the tall tale, the far-fetched anecdote. He did things nobody had done before in little explosions of outrageous skill. And just as Best’s play was all about embellishment and improvisation, so the accounts of these very feats were exaggerated in the telling and retelling. Hamilton is surely right when he claims that “no footballer has imposed himself so completely on the romantic imagination”.
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